Sarah E. Jenkins

My work is inspired by post-industrial landscapes, labor, and experimental animation practices. I explore ideas and images of coal mining/natural resource extraction, acts of disappearing, and labor that is repetitive and unseen. I work primarily in experimental stop motion animation and sound, though my work is rooted in drawing and an ongoing social practice. My conceptual framework grew out of my lived experience and family history in rural northern Appalachia. I grew up playing on coal slag heaps in the Allegheny Mountains. My grandfather was a 5th generation coal miner and my grandma worked in a textile factory as a young woman. My family sold mineral rights to a fracking company when I was a teenager. In addition to these histories, my work comes out of research, materials experimentation, and site-responsive animation in outdoor environments.

Sarah E. Jenkins, Still from Patch Work, 2017, Stop motion animation and Video with sound, HD Video, 00:06:26

Sarah E. Jenkins (she/they) is a queer, Boston-based multidisciplinary artist from northern Appalachia. They create experimental stop motion animation, drawing, and social practice about coal and natural resource extraction, post-industrial stories & landscapes, and invisible labors. She is currently working on a stop motion animation that explores extraction and disappearance. Jenkins is graduate faculty at Massachusetts College of Art & Design, lecturer at SMFA at Tufts Univeristy, and is the animation teaching assistant at Harvard University. Their work has been exhibited in the northeast and internationally, including the Museum of Fine Arts Boston, Wheaton College, The Lesbian and Gay Association in Germany (LSVD), and GRRL HAUS Cinema (Berlin and Boston). Jenkins is a MacDowell Fellow and will be an artist in residence at Marble House Project during the summer of 2022.