Maya Simone Z.

Artist Statement

I am a New York-based interdisciplinary artist with a movement-based practice that centers queer, Black diasporic emotional and spiritual connections between the brain, body and spirit. To explore these connections, my work unearths how (mis)alignments of the self are largely reflected in how our society and governments engage with the water, land and environment around us. My artistry is a means to witness and honor my family’s legacies of farming, Church going, and storytelling. I engage emotional and spiritual knowing that connects the body, ancestral memory, and Black futurity through experimentation and exploration. Mediums I employ include choreography, writing, sound, installation, video, and performance. By interweaving these forms, I cultivate intimate moments that make space for learning/unlearning of embodied trauma by centering joy, pleasure, and liberatory transformations for Black and queer folks. Abolitionist, anti-racist principles guide my collaborative and creative process.

Maya Simone_Waters of Oblivion_performance_2021 Maya Simone kneels before a screen, holding a white bowl, on a reflective surface during a performance of Waters of Oblivion, Dec. 2021.

BIO

Maya Simone Z. is a Brooklyn-based interdisciplinary artist, choreographer and educator from the South. Their work interweaves movement, writing, sound, installation, video, and performance. They have worked with Sydnie L. Mosley, Jasmine Hearn, Lisa Fagan and Cinthia Chen. Maya has developed and performed in works presented at Green Space, Corkscrew Theater Festival, Theater Mitu and more, including Waters of Oblivion (2020, 2021), the way back (2020), and Give It A Go (2022). Maya Simone has completed residencies with MODArts Dance Collective (NYC), Hambidge Center (GA), Mudhouse Art (Crete, Greece), and GALLIM (NYC). They are currently an Engaging Artists (EA) Fellow with More Art and 2022 artist-in-residence with the FloodNet Deluge program at NYU Tandon. With support from More Art and the FloodNet Deluge program, they are currently developing an oral history collection and archiving project titled state of water: brooklyn waterfronts, centering experiences of NYC residents in relationship to water, city infrastructure, and flooding. They will also share a work during More Art’s public programming for Fred Wilson’s installation Mind Forged Manacles, Manacles Forged Minds in spring 2023.